Bibliografia

Principal

• Sternberg 1998, Handbook of Creativity, Robert J. Sternberg (ed.), Cambridge University Press, 1998. Boden 2003, The Creative Mind: Myths and Mechanisms, Margaret Boden, Routledge, 2003. :

Secundária

• Weiss 1999, Multiagent Systems, A Modern Approach to Distributed Artificial Intelligence, Weiss, Gerhard (ed.), The MIT Press, 1999. Ventura 2011, Proceedings of the Second International Conference on Computational Creativity, Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease, Geraint Wiggins (eds.), México City, April 2011. Ventura 2010, Proceedings of the International Conference on Computational Creativity (ICCC-X), January 2010, Lisbon Portugal, Dan Ventura, Alison Pease, Rafael Pérez y Pérez, Graeme Ritchie, Tony Veale (eds.). Stiny 2006, Shape: Talking About Seeing and Doing, George Stiny, Cambridge: MIT Press, 2006. Stiny 1978, Algorithmic Aesthetics: Computer Models for Criticism and Design in the Arts, George Stiny, James Gips, University of California Press, 1978. Russell 2003, Artificial Intelligence, A Modern Approach, Stuart Russell, Peter Norvig, Prentice Hall, 2003. Romero 2007, The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, Juan Romero, Penousal Machado (eds.), Springer, 2007. Pipes 2008, Foundations of Art + Design, Alan Pipes, Laurence King, 2008. Partridge 1995, Computers and Creativity, D. Partridge, Jon Rowe, Intellect Books, 1995. Mitchell 1990, The Logic of Architecture, Design, Computation, and Cognition, William J. Mitchell, The MIT Press, 1990. Lawson 2005, How Designers Think, Fourth Edition: The Design Process Demystified, Bryan Lawson, Architectural Press, 2005. Lawson 2004, What Designers Know, Bryan Lawson, Architectural Press, 2004. Knight 1994, Transformations in Design: A Formal Approach to Stylistic Change, Terry Weissman Knight, Cambridge University Press, 1994. Graham 1996, ANSI Common Lisp, Paul Graham, Prentice Hall, 1996.. Gervás 2008, Proceedings of the International Joint Workshop on Computational Creativity 2008, Pablo Gerv´as, Rafael P´erez y P´erez, Tony Veale (eds.), 2008. Gero 1993, Modeling Creativity and Knowledge-Based Creative Design, John S. Gero, Mary Lou Maher (eds.), Lawrence Erlbaum, 1993. Finke 1996, Creative Cognition: Theory, Research, and Applications, Ronald A. Finke, Thomas B. Ward, Steven M. Smith, The MIT Press, 1996. Finke 1990, Creative Imagery: Discoveries and inventions in Visualization, Ronald A. Finke, Lawrence Erlbaum, 1990. Dartnall 2002, Creativity, Cognition, and Knowledge: An Interaction (Perspectives on Cognitive Science), Terry Dartnall (ed.), Praeger Publishers, 2002. Dartnall 1994, Artificial Intelligence and Creativity: An Interdisciplinary Approach (Studies in Cognitive Systems), Terry Dartnall (ed.), Springer, 1994. Colton 2006, Proceedings of the Third Joint Workshop on Computational Creativity (ECAI 2006, European Conference on Artificial Intelligence), August 2006, Riva del Garda, Italy, Simon Colton, Alison Pease (eds.). Cardoso 2007, Proceedings of the 4th International Joint Workshop on Computational Creativity, Amílcar Cardoso, Geraint Wiggins (eds.), 17-19 June 2007. Cardoso 2002, Proceedings of the AISB02, 4th Symposium On Creativity in AI and Cognitive Science 2002. Candy 2002, Explorations in Art and Technology, Linda Candy, Ernest Edmonds, Springer, 2002. Bratko 1990, Prolog Programming for Artificial Intelligence, Ivan Bratko, Addison-Wesley Publishing Company, 1990. Boden 1996, Artificial Intelligence (Handbook Of Perception And Cognition), Margaret A. Boden (ed.), Academic Press, 1996. :