Bibliografia

Principal

• Paquete de Oliveira, José Manuel, Gustavo Cardoso e José Jorge Barreiros (orgs.). 2004).Comunicação, Cultura e Tecnologias de Informação, Lisboa, Quimera. Silverstone, Roger. 1999. ?What's New About New Media?, in New Media & Society, Número 1,pp. 10-12. Silverstone, Roger.1994.Television and Everyday Life, Routledge. Lessig, Lawrence. 2008 .Remix: Making Art and Commerce Thrive in the Hybrid Economy,Penguin. Lash, Scott, Celia Lury (2007), Global Culture Industry: The Mediation of Things, Malden MA,Polity. Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide, New York,New York University Press. Hartley, John (ed.). 2005. Creative Industries, Oxford: Blackwell. Hesmondhalgh, David. 2007. The Cultural Industries. Thousand Oaks, CA/London/New Delhi:Sage Publications. Ginsburgh, Victor A. , David Throsby (eds).2006. Handbook of the Economics of Art and Culture, Vol. 1. Elsevier, Amsterdam. Griswold, Wendy. 1987. ?A Methodological Framework for the Sociology of Culture.? Sociological Methodology 17: 1-35. http://weekly.ahram.org.eg/2003/665/bo3.htm (2004) - 26 November 2003, Issue No. 665, Available Online. HTTP: Eco, Umberto. 2003). Vegetal and mineral memory: The future of books, Al Ahram Weekly, 20 Colombo, Fausto. 2001. La cultura sottile. Media e industria culturale italiana dall'Ottocento ad oggi, Bompiani, Milano 1998. Colombo, Fausto. 2003. Le età della TV. Indagine su quattro generazioni di spettatori italiani (a cura di e con P. Aroldi), Milão, Vita e Pensiero. Castells, Manuel .2009. Communication Power, Oxford University Press, Oxford. Cardoso, Gustavo. 2006. Os Media na Sociedade em Rede, Fundação Calouste Gulbenkian, Lisboa. Bustamante, E. (Coord.). 2003. Hacia un nuevo sistema mundial de comunicación. Las Industrias Culturales en la Era Digital. Gedisa. Barcelona. :

Secundária

• Penkakur, Manjunath and Radha Subramanyam. 1996. ?Indian Cinema beyond National Borders.? Pages 67-82 in New Patterns in Global Television: Peripheral Vision, edited by John Sinclair, Elizabeth Jacka, and Stuart Cunningham. Oxford: Oxford University Press. Mukerji, Chandra. 1979. ?Mass Culture and the Modern World-System: The Rise of the Graphic Arts.? Theory & Society 8: 245-268. Kim, Jeongmee. 2003. ?The Funding and Distribution Structure of the British Film Industry in the 1990s: Localization and Commercialization of British Cinema towards a Global Audience.? Media, Culture & Society 25: 405-413. Griswold, Wendy. 1992. "The Writing on the Mud Wall: Nigerian Novels and the Imaginary Village." American Sociological Review 57: 709-724. Appadurai, Arjun. 1990. ?Disjuncture and Difference in the Global Cultural Economy.? Public Culture 2: 1-24. Globalização e as Artes Zolberg, Vera L. 1980. ?Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media.? Sociological Quarterly 21: 219-231 Trajtenberg, Graciela. 2003. ?Modernisms in Action: Comparing the Relationship between Visual Arts, Social Classes and Politics in Israeli Nation-Building.? Comparative Social Research 21: 87-109. Dowd, Timothy J., Kathleen Liddle and Maureen Blyler. forthcoming. ?Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940 to 1990.? Research in the Sociology of Organizations. Crane, Diana. 1997. ?Globalization, Organizational Size, and Innovation in the French Luxury Fashion Industry: Production of Culture Theory Revisited.? Poetics 24: 393-414. Blair, Helen and Al Rainnie. 2000. ?Flexible Films?? Media, Culture & Society 22: 187-204. Inovação e Diversividade Cultural Stamatov, Peter. 2002. ?Interpretive Activism and the Political Uses of Verdi's Operas in the 1840s.? American Sociological Review 67: 345-366. Long, Elizabeth. 2003. Book Clubs: Women and the Uses of Reading in Everyday Life. Chicago: University of Chicago Press. Chapters 1 & 5. Hennion, Antoine. 2002. ?Music Lovers: Taste as Performance.? Theory Culture & Society 18:1-22. Frith, Simon. 1996. Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press. Chapters 1& 2. Crane, Diana. 1999. ?Gender and Hegemony in Fashion Magazines: Women's Interpretations of Fashion Photographs.? Sociological Quarterly 40: 541-563. A recepção activa na cultura e nas artes Ostrower, Francie. 1998. ?The Arts as Cultural Capital among Elites: Bourdieu's Theory Reconsidered.? Poetics 26:43-53. Dumais, Susan A. 2002. ?Cultural Capital, Gender, and School Success: The Role of Habitus.? Sociology of Education 75: 44-68. DiMaggio, Paul and Francie Ostrower. 1990. ?Participation in the Arts by Black and White Americans.? Social Forces 68: 753-778. DiMaggio, Paul and John Mohr. 1985. ?Cultural Capital, Educational Attainment, and Marital Selection.? American Journal of Sociology 90: 1231-1261. DiMaggio, Paul. 1982. ?Cultural Capital and School Success: The Impact of Status Culture Participation on the Grades of U.S. High School Students.? American Sociological Review 47: 189-201. Capital Cultural Levine, Lawrence W. 1984. ?William Shakespeare and the American People: A Study in Cultural Transformation.? American Historical Review 89:34-66. Elias, Norbert. 1993. Mozart: Portrait of a Genius. Berkeley, CA: University of California Press. Pages 3-63 and 111-130. Marcel Fournier. Chicago: University of Chicago Press. DiMaggio, Paul. 1992. ?Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and Dance, 1900-1940.? Pages 21-57 in Cultivating Differences: Symbolic Boundaries and the Making of Inequality, edited by Michele Lamont and DiMaggio, Paul. 1987. ?Classification in Art.? American Sociological Review 52: 440- 455. Blau, Judith R. 1996. ?The Toggle Switch of Institutions: Religion and Art in the U.S. in the Nineteenth and Early Twentieth Centuries.? Social Forces 74: 1159-1177. A institucionalização da Alta Cultura Rubtsova, Anna and Timothy J. Dowd. 2004. ?Cultural Capital as a Multi-Level Concept: The Case of an Advertising Agency.? Research in the Sociology of Organizations 22: 117-146. McCall, Leslie. 1992. ?Does Gender Fit? Bourdieu, Feminism, and Conceptions of Social Order.? Theory and Society 21: 837-867. Holt, Douglas B. 1997. ?Distinction in America? Recovering Bourdieu's Theory of Tastes from Its Critics.? Poetics 25: 93-121. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature. New York: Columbia University Press. Pierre Bourdieu Peck, Janice. 2002. ?The Oprah Effect: Texts, Readers, and the Dialectic of Signification.? Communication Review 5: 143-178. Lopes, Paul. 2002. The Rise of a Jazz Art World. New York: Cambridge University Press. Introduction and Chapter 4. Lang, Gladys Engel and Kurt Lang. 1988. ?Recognition and Renown: The Survival of Artistic Reputation.?American Journal of Sociology 94: 79-109. Janssen, Susanne. 1997. ?Reviewing as Social Practice: Institutional Constraints on Critics' Attention for Contemporary Fiction.? Poetics 24: 275-297. Anheier, Helmut K. and Jurgen Gerhards. 1991. ?The Acknowledgment of Literary Influence: A Structural Analysis of a German Literary Network.? Sociological Forum 6: 137-156. Críticos e Avaliação Witten, Robert W. 2000. ?Why Did Adorno ?Hate? Jazz?? Sociological Theory 18: 145-170. Marcuse, Herbert. 1978. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics.Boston: Beacon Press. DeNora, Tia. 2003. Beyond Adorno: Rethinking Music Sociology. Cambridge: Cambridge University Press. Chapters 1-3, and 6. Benjamin, Walter. 1969. ?The Work of Art in the Age of Mechanical Reproduction.? Pages 217-251 in Illuminations, edited by Hannah Arendt. New York: Schocken Books. Essential Frankfurt Reader, edited by Andrew Arato and Eike Gebhardt. New York: Continuum. Adorno, Theodor. 1988. ?On the Fetish-Character in Music and the Regression of Listening.? Pages 270-299 in The Teoria Crítica e para além dela Tuchman, Gaye and Nina E. Fortin. 1984. ?Fame and Misfortune: Edging Women Out of the Great Literary Tradition.? American Journal of Sociology 90: 72-96. Menger, Pierre-Michel. 1999. ?Artistic Labor Markets and Careers.? Annual Review of Sociology 25: 541-574. Lachmann, Richard. 1988. ?Graffiti as Career and Ideology.? American Journal of Sociology 94:229-250. Giuffre, Katherine A. 1999. ?Sandpiles of Opportunity: Success in the Art World.? Social Forces 77: 815-832. Fine, Gary Alan. 1996. ãJustifying Work: Occupational Rhetorics as Resources in Restaurant Kitchens.Administrative Science Quarterly 41: 90-115. Trabalho e carreiras profissionais na Cultura e nas Artes Peterson, Karin. 1997. ?The Distribution and Dynamics of Uncertainty in Art Galleries: A Case Study of New Dealerships in the Parisian Art Market, 1985-1990.? Poetics 25: 241-263. Murningham, J. Keith and Donald E. Conlon. 1991. ?The Dynamics of Intense Work Groups: A Study of British String Quartets.? Administrative Science Quarterly 36: 165-186. Glynn, Mary Ann. 2002. ?Chord and Dischord: Organizational Crisis, Institutional Shifts, and the Musical Canon of the Symphony.? Poetics 30: 63-85. Balio, Tino. 1976. United Artists: The Company Built by Stars. Madison, WI: University of Wisconsin Press. Preface, and Chapters 1-5. The Case of East German Symphony Orchestras.? Administrative Science Quarterly 41: 337-369. Allmendinger, Jutta and J. Richard Hackman. 1996. ?Organizations in Changing Environments: Organizações Culturais e das Artes Weber, Max. 1958. The Rational and Social Foundations of Music. Carbondale, IL: Southern University Illinois Press. Chapters 1-2. Tanner, Jeremy. 2003. The Sociology of Art: A Reader. London: Routledge. Introduction, pages 27-68. Sorokin, Pitrim. 1957. Social and Cultural Dynamics: A Study of Change in Major System of Art, Truth, Ethics, Law and Social Relations. Chapters 1-6 & 9. Simmel, Georg. 1957. ?Fashion.? American Journal of Sociology 62: 541-558. Schutz, Alfred. 1951. ?Making Music Together: A Study in Social Relationships.? Social Research 18: 76-97. Análises iniciais na Sociologia da Cultura e das Artes Mohr, John. 1998. ?Measuring Meaning Structures.? Annual Review of Sociology 24: 345-370. Sociological Methodology 17: 1-35. Griswold, Wendy. 1987. ?A Methodological Framework for the Sociology of Culture.? Clignet, Remi. 1979. ?The Variability of Paradigms in the Production of Culture: A Comparison of the Arts and Sciences.? American Sociological Review 44: 392-409. Bowler, Anne E. 1994. ?Methodological Dilemmas in the Sociology of Art.? Pages 247-266 in The Sociology of Culture: Emerging Theoretical Perspectives, edited by Diana Crane. Oxford:Blackwell. Bergesen, Albert.1984. ?The Semantic Equation: A Theory of the Social Origins of Art Styles.?Sociological Theory 2: 187-221. Abordagens à conceptualização da Sociologia da Cultura e das Artes :