Bibliografia

Principal

ZORLONI, Alessia, 2013. The Economics of Contemporary Art: Markets, strategies, and stardom, Berlim, Springer. THORNTON, Sarah, 2010. Sete Dias no Mundo da Arte, Lisboa, Arcádia. THOMPSON, Don, 2008. The $12 Million Stuffed Shark. The curious economics of contemporary art and auction houses, Londres, Aurun Press. SCHMITT, Jean-Marie, 2008. Le Marché de l'Art, Paris, La Documentation Française. ROBERTSON, Iain, 2016. Understanding Art Markets. Inside the world of art and business, Londres, Routledge POLI, Francesco, 2006. Il sistema dell'arte contemporanea, Roma, Laterza (1ª ed. 1999). MELO, Alexandre, 2012. Sistema da Arte Contemporânea, Lisboa, Documenta. HARRIS, Jonathan, 2017. The Global Contemporary Art World, Oxford, Wiley Blackwell. FERNANDES, Alexandra; AFONSO, Luís, 2012 (eds.). Os Leilões e o Mercado da Arte em Portugal. Estrutura, história, tendências, Lisboa, Scribe. ADAM, Georgina, 2014. Bib Bucks. The explosion of the art market in the 21st century, Farnham, Lund Humphries. :

Secundária

WITTMAN, Robert, 2011. O Mundo Secreto da Arte Roubada, Lisboa, Círculo de Leitores. WATSON, Peter; TODESCHINI, Cecilia, 2006. The Medici Conspiracy. The illicit journey of looted antiquities. From Italy's tomb raiders to the world's greatest museums, Nova Iorque, Public Affairs. VELTHUIS, Olav, 2007. Talking Prices. Symbolic meanings of prices on the market for contemporary art, Princeton e Oxford, Princeton University Press (1ª ed. 2005). VADI, Valentina; SCHNEIDER, Hildegard, (eds.), 2014. Art, Cultural Heritage, and the Market. Ethical and legal issues, Berlim, Springer. STOURTON, J., 2007. Great Collectors of Our Time. Art collections since 1945, Londres, Scala. SIMÕES, Pedro, 2016. O Mercado da Arte Moderna e Contemporânea em Portugal (2005-2013). Doutoramento em História, especialização em História da Arte, FLUL. SHINNER, Larry, 2004. La Invención del Arte. Una historia cultural, Madrid, Paidós. ROBERTSON, Iain (ed.), 2005. Understanding International Art Markets and Management, Londres, Routledge. ROBERTSON, Iain, 2011. A New Art from Emerging Markets, Farnham, Lund Humphries. PROWDA, Judith, 2013. Visual Arts and the Law. A handbook for professionals, Farnham, Lund Humphries. POLSKI, Richard, 2011. The Art Prophets: The Artists, Dealers, and Tastemakers Who Shook the Art World, Nova Iorque, Other Press. NAIRNE, Sandy, 2011. Art Theft and the Case of the Stolen Turners, Londres, Reaktion Books. MOUREAU, Nathalie e Dominique SAGOT-DUVAUROUX, 2006. Le marché de l'art contemporain, Paris, Découverte. MOULIN, R., 1997. L'artiste, l'institution et le marché, Paris, Flammarion (1ª ed. 1992). MONCADA, Miguel Cabral de, 2006. Peritagem e Identificação de Obras de Arte, s.l., Civilização Editora. MELO, Alexandre, 1999. Arte e Mercado em Portugal: Inquérito às Galerias e Uma Carreira de Artista, Lisboa, Observatório das Actividades Culturais. ________, 2010 (ed.). Fine Art and High Finance. Expert advice on the economics of ownership, Nova Iorque, Bloomberg Press. McANDREW, Clare, 2007. The Art Economy. An investor's guide to the art market, Dublin, The Liffey Press. LINDEMANN, Adam, 2006. Collecting Contemporary, Colónia, Taschen. LENAIN, Thierry, 2011. Art Forgery. The history of a modern obsession, Londres, Reaktion Books. HOROWITZ, Noah, 2011. Art of the Deal: Contemporary Art in a Global Financial Market, Princeton, Princeton University Press. HEINICH, Nathalie, 2014. Le paradigme de l'art contemporain. Structures d'une révolution artistique, Gallimard. HARGREAVES, Manuela, 2013. Colecionismo e Mercado da Arte em Portugal. O território e o mapa, Porto, Afrontamento HACKFORTH-JONES, Jos; ROBERTSON, Iain (eds.), 2016. Art Business Today. 20 key topics, Farnham, Lund Humphries. GRAMPP, William, 1989. Pricing the Priceless. Art, artists and economics, Nova Iorque, Basic Books. GOODWIN, James, 2008. The International Art Markets. The essential guide for collectors and investors, Londres e Filadélfia, Kogan Page. GINSBURGH, Victor; WEYERS, Sheila, 2008. "On the contemporaneousness of Roger de Piles' Balance des peintres'", in J. Amariglio et al. (eds.), Sublime economy: on the intersection of art and economics, Londres, Routledge, pp. 112-123. FERNANDES, Alexandra; AFONSO, Luís U., 2014. "Joana Vasconcelos: managing an artist's studio in the early 21st century", International Journal of Arts Management, vol. 17, n. 1, 2014, pp. 54-64. ELSNER, J.; CARDINAL, R. (eds.), 1994. The Cultures of Collecting, Londres, Reaktion Books. DUARTE, Adelaide, 2016. Da coleção ao museu. O colecionismo privado de arte moderna e contemporânea em Portugal, Casal de Cambra, Caleidoscópio. DICKIE, George, 1997. The Art Circle. A theory of art, Evanston, Chicago Spectrum Press. DANTO, A. C., 1964. "The artworld", Journal of Philosophy, 61, pp. 571-584. DE MARCHI, Neil; MIEGROET, Hans, 2006. "The history of art markets", Victor Ginsburgh e David Throsby (eds.), Handbook of the Economics of Art and Culture, vol. I, North-Holland / Elsvier, pp. 69-122. CLUNAS, Craig, 2004. Superfluous Things. Material culture and social status in Early Modern China, Honolulu, University of Hawai'i Press. CHARNEY, Noah (ed.), 2009. Art and Crime: Exploring the Dark Side of the Art World, Santa Barbara, Greenwood Press. CARROL, Nöel (ed.). Theories of Art Today, Madison, University of Wisconsin Press, 2000. BUCK, Louisa; GREER, Judith, 2006. Owning Art. The contemporary art collector's handbook, Londres, Thames & Hudson. BOURDIEU, Pierre; DARBEL, Alain, 1997. L'amour de l'art. Les musées d'art européens et leur public, Paris, Minuit (1ª ed. 1969). BOURDIEU, P., 1996. La distinction. Critique sociale du jugement, Paris, Minuit (1ª ed. 1979). BOLL, Dirk, 2011. Art for sale. A candid view of the art market, Ostfildern, Hatje Cantz Verlag. BECKER, Howard, 1982. Art Worlds, Berkeley, University of California Press. BAUDRILLARD, Jean, 2006. O Sistema dos Objetos, São Paulo, Perspectiva (1ª ed. 1968). ATWOOD, Roger, 2004. Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World, Nova Iorque, St Martin's Press. APPLEYARD, Charlotte; SALZMANN, James, 2012. Corporate Art Collections. A handbook to corporate buying, Farnham, Lund Humphries. ALFORD, Kenneth, 2011. Allied Looting in World War II: Thefts of Art, Manuscripts, Stamps and Jewelry in Europe, McFarland & Co Inc. AFONSO, Luís, 2015. "A China e o mercado da arte português na atualidade". In L. F. Barreto e V. Serrão (eds.). Património Cultural Chinês em Portugal, CCCM/Fundação Jorge Álvares, pp. 215-226. :