Bibliografia

Principal

Barros, José d'Assunção," Cinema e história- as funções do cinema como agente, fonte e representação da História" em Ler História nº 52, 2007. Duprat, Annie, Images et histoire: outils et méthods des Documents iconographiques,Paris, 2006. Guigueno, Vincent, Delage, Christian, L'ouvrage, l'historien et le film, Gallimard, Paris, 2004 Gaskell, Ivan « História das imagens », in Peter Burke, A Escrita da História Novas Perspectivas, São Paulo, 1992. Gaskell, George e Bauer, Martin, Pesquisa Qualitativa com texto, imagem e som: um Manual Prático. França, José Augusto, "História e Imagem", comunicação feita em Assembleia Geral ordinária de 28 de Maio de 1976, Annais da Academia Portuguesa de História. Cassange, Sophie, Delporte, Christian, Miroux, George, turrel, Denise, Le commentaire, de Document, iconographique en Histoire, Paris, Elipses, 1996. :

Secundária

ZIMMERMANN, Yvonne (2004) - How to Deal With Industrial Films: Methodological Approach, Illuminace, 16, 4 (56), pp. 5 - 23 WINTER, J. (2001) - Film and the matrix of memory. The American Historical Review, 106(3), 857-864. WARNER, Kate (2009), «Talking about theory of history in television dramas», Continuum: Journal of Media & Cultural Studies, 23 (5), pp. 723-734. TRUFFAUT, François (1987) - Hitchcock diálogo com Truffaut, Lisboa, Public. D. Quixote. SORLIN, Pierre, (1980) - The film in history ? restaging the past, Oxford, Blackwell SCHUMAN, Howard; BELLI, Robert.; BISCHCOPING, Katherine, (1997) - The generational basis of historical knowledge, in Collective memory of political events. Social Psycological Perspectives, New Jersey, LEA ? Lawrence Erlbaum Associates ROSENTHAL, Alan (Editor) (1988), New Chalenges for Documentary, Los Angeles, University of California Press, dedica un amplo capítulo (Part Five) a ?Documentary and History?, pp. 425-507. ROSENSTONE, Robert (2006) - History on Film/Film on History. Nueva York: Pearson Longman ROSENSTONE, Robert, (2002, Dezembro) - Does a film writing of history exist? in History and theory, nº 41, p. 134-144 ROSENSTONE, Robert A. (1995) - Introduction to Revisioning History: Film and the Construction of a New Past, Princeton, Princeton University Press PRELINGER, Rick (2006) - The Field Guide to Sponsored Films. San Francisco: National Film Preservation Foundation POSTMAN, Neil, (1992) - Tecnopoly ? the surrender of culture to technology, New York, Alfred A. Knopf. PINHEIRO, Nuno, RELVAS, Eunice, VAZ, Maria João (2001) - org. Exclusão na História, Oeiras. PINHEIRO, Magda (2000) - O Liberalismo nos espaços Públicos, A memória das Revoluções Liberais através dos Monumentos que a Celébram, Celta, Oeiras. PENNEBAKER, J. W; PAEZ, Dario, RIM, Bernard, (1997) - Collective memory of political events. Social Psycological Perspectives, New Jersey, LEA ? Lawrence Erlbaum Associates OLSEN, Walter R. and SOMMERS, William A. (2006) - Energizing Staff Development Using Film Clips: Memorable Movie Moments that Promote Reflection, Conversation, and Action. Thousand Oaks: Corwin Press MONTERO-DÍAZ, J., FERNÁNDEZ-RAMÍREZ, L. (Marzo de 2015) -. La experiencia de la guerra en la pantalla: el desembarco en la playa de Omaha de Saving Private Ryan; Palabra Clave 18 (1), 83-110, Universidad de la Sabana, Colombia MONTERO, Julio y PAZ, Maria Antónia, (2004). Talking Pictures: photography as a mean to study film audiences in Spanish social history 1896-1936, paper presented at the Fifth European Social Science History Conference, 24-27 March 2004, University of Berlin MENDELSUND, Peter (2015) ? O que vemos quando lemos, editora Elsinore. McLUHAN, Marshall, (1964) - Understanding Media: The Extensions of Man, New York, McGraw-Hill. McLOUD, Scott (2004) - Understand comics, Harper Perennial - Harper Collins Book (1ª ed. 1993) MARTINS, Paulo Miguel (2011) - O Cinema em Portugal: os Documentários Industriais de 1933 a 1985, INCM, Lisboa. KAPELL, Matthew W. y ELLIOT, Andrew (2013) - Playing with the Past. Digital games and the Simulation of History, New York, Bloomsbury. KNAPP, Stan J. e QUADAGNO, Jill, (1992, Maio) - Temporality, events and explanation in historical sociology. An introduction, in Sociological methods & Research, vol. 20, nº 4, p. 481-507. JEDLOWSKI, Paolo, (2001) - Memory and sociology. Themes and issues, in Time and Society, vol. 10 (I), p. 29 ? 44. HALBWACHS, Maurice, (1992) - On collective memory (Heritage of Sociology Series), ed. por Lewis A. Coser, Chicago, University Chicago Press. HEDIGER, Vinzenz; VONDERAU, Patrick, (2009) ? Films that work. Industrial film and the productivity of Media, Amsterdam, Amsterdam University Press GUILLORY, John (2004) The Memo and Modernity. Critical Inquiry, 31, pp. 108- 131. GRIFFIN, Larry, J., (1992, Maio) - Temporality, events and explanation in historical sociology. An introduction, in Sociological methods & Research, vol. 20, nº 4, p. 403-427. GOODMAN, Paul S. (2004) - ?Filmmaking and Research: An Intersection.? In Journal of Management Inquiry, 13, 4, pp. 324-335 GOMBRICH, E. H. (1960) - Art and Illusion. A Study in the Psychology of Pictorial Representation, London, Phaidon GOMBRICH, E. H. (1950) ? The story of art, London, Pahidon FRANÇA, José-Augusto, (2005) - Lisboetas no séc. XX. Anos 20, 40 e 60, Lisboa, Livros Horizonte FERRO, Marc, (1977) - Cinéma et histoire. Le cinéma, agent et source de l´histoire, Paris, Denoel/Gonthier. FAY, Brian, (2002, Dezembro) - Unconvencional History, in History and Theory, 41, p. 1-6. ELSAESSER, Thomas and HAGENER, Malte (2010) - Film Theory: an introduction through the senses, New York, Routledge DUPRAT, Annie (2006) - Images et histoire: outils et méthodes des documents iconographiques, Paris, ed. Belin. DONALD, Merlin, (2004, Outubro). Is a picture really worth a 1,000 words?, in History and Theory, 43, p.379-385. CONWAY, Martin A. (1997) - The inventory of experience: memory and identity, in Collective memory of political events. Social Psycological Perspectives, New Jersey, LEA ? Lawrence Erlbaum Associates CONNERTON, Paul, (1989) - How Societies Remember, Cambridge, UK, Cambridge University Press. (Trad Port. Como as sociedades recordam, Oeiras, Celta Editora, 1993). COLEN, José Augusto Barbosa, 2010. O futuro do político, o passado do historiador, Lisboa, Moinho Velho. BUTHE, Tim, (2002, Setembro) - Taking temporality seriously: modeling history and the use of narratives as evidence, in The American Political Science Review, vol. 96, nº 3, p. 481-493 BROWN, Elspeth H. (2005) - The Corporate Eye: Photography and the Rationalization of American Commercial Culture,1884 -1929. Baltimore: John Hopkins University PresS BERGER, John (1980) - Modos de ver, Arte e Comunicação, Lisboa, ed. 70. BAZIN, André, (1958) - Qu? est-ce que le cinema?, Paris, Editions du Cerf. (Trad. O que é o cinema? Livros Horizonte, Lisboa, 1992). BAUDRILLARD, Jean, (1981) - Simulacres et simulation, Paris, Ed. Galilee. BARTHES, Roland, (1967, Agosto) - Le discourse de l?histoire, in Social Science Information, vol. 6, nº 4, p. 63-75. BARTHES, Roland, (1964) - Rhétorique de l?image, in Communications, nº 4: p. 40-51, Éditions du Seuil, Paris. BARROS, José d'Assunção (2007) - " Cinema e história- as funções do cinema como agente, fonte e representação da História" em Ler História nº 52 ARON, Raymond, (1989) - Leçons sur l?histoire, cours du College de France, Paris, Ed. de Fallois. ARON, Raymond, (1964) - Histoire et philosophie, BNF, Secção de manuscritos (cx. 9), 1963-1964, cit. por COLEN, José Augusto Barbosa, 2010. O futuro do político, o passado do historiador, Lisboa, Moinho Velho. ARNOLD, Michelle; LINDSAY, D. Stephen, (2007) - I remember/know/guess that I knew it all along! Subjective experience versus objective measures of the knew-it-all-along effect, in Memory & Cognition; vol 35, nº 8, p. 1854 ? 1868 ARNHEIM, Rudolf, (1957) - Film as art, Berkeley, University of Califórnia Press, (Trad. Port. A arte do Cinema, Edições 70, Lisboa, 1989). ARNHEIM, Rudolf, (1954/1974) - Art and visual illusion: the new version, Berkeley/Los Angeles, University of California Press ARMSTRONG, Paul y COLES, Janet (2008) - ?Repackaging the Past: Commodification, Consumerism and the Study of History?. Convergence xli: 1, 63-76 ARGENTI, Paul A. (2003) Corporate Communication. New York: McGraw Hill ANDERSON, S. (2001), «History TV and popular memory», en G. R. Edgerton y P. C. Rollins, eds., Television histories: Shaping collective memory in the media age, Lexington, KY, University of Kentucky Press ABOUT, Ilsen and CHEROUX, Clement (November 2001) - L?histoire par la photographie, in Études Photographiques 10, 9?33: